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It’s hard to rate this series because it’s a collection of five short stories. The only links the stories have is the Phoenix, and the immortal bird of anecdote tends not to play a sizable role in any of the stories, often fair being in the background watching the events unfold.
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Some of the stories last for four episodes, others one. Some of the stories engage position in the past, others in the future. Some of the stories involve battles between Gods, others focus on battles against nature. There’s almost too worthy variation.
The first, four episode fable is probably the best of the lot - it flowed well from episode to episode, despite there being a lot of twists. It started with a man washing ashore somewhere, getting captured by a tribe and needing to set the life of a woman to do himself from being executed. The focus then switched to an Apocalypto style raid on the tribe by another country. It then switched yet again, this time to a father and son type of account where one of the invaders raised one of the few survivors of the raid as his acquire. And, during all this, the narrative kept switching encourage to the man who washed ashore trying to survive with the woman from the tribe he saved at the launch, with them ended up trapped in a cave and left to the mercy of nature.
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Out of all of the stories, the was the most fascinating. I found myself struggling to care about a lot of the characters included in the series, with some taking drastic actions without any true development having occurred, but in the opening myth it was easy to care about the ‘father’ and ’son’ who tried to survive during times of war. My only true complaint about it is that the Phoenix might as well have not even been in this myth at all. It did nothing other than pick up hunted on and off a few times. If the Phoenix had played a more considerable role, like it does in later stories, I could understand its involvement, but it was impartial there for no accurate reason. The messages of the first account are that death is a portion life that must be favorite and that war is pointless, neither message needing the Phoenix to be expressed.
The second anecdote occurs in space; on the moon. That’s upright - a jump from the veteran past to the far future.
The yarn takes site during a time where the Earth has died and the remnants of the human rush have escaped to set. At some point after their hasten, some humans on the moon discovered the Phoenix, which has the power to give life, and they managed to salvage one of its tail feathers. Research on the feather took situation on the moon, and one of the men in charge was on the verge of concept it when an ‘accident’ occurred, resulting in the destruction of the lab and the death of most in it. Factual before the researcher died, he was attempting to set a female friend from falling to her death, her last words being “You traitor…”
After the opening described above, the memoir quick caught my interest. The researcher who died had been revived after the ‘accident’, half of his brain having been replaced by a machine. When he awakened, he couldn’t distinguish one human from another - they all looked like distorted monsters to him - and he had no memories of his past. However, he discovered shortly after awakening that robots appeared to be living organisms to him, with one robot in particular looking like a woman, resembling the woman who called him a traitor before his death. Shortly after discovering his unique ‘female’ friend, he runs away from the humans with the robot, escaping to the lab that was destroyed at the initiate.
I liked the second chronicle a lot. It wasn’t as spirited as the first, mainly because it only lasted for two episodes, but the memoir was appealing. It was basically a memoir of redemption, where one man had to lawful his past mistakes by living on. If there’s one thing that’s suggested a lot in each account included, it’s that, rather than being a blessing, immortality is a curse; a punishment that must be endured.
What follows the above is the only one episode anecdote in the entire series. Attend in veteran times once more after the leap into the future of the second myth, this time around the legend was about a woman killing a healer in order to prevent the healer saving her father. As a punishment for killing the healer, the Phoenix forces the killer to seize on the role of the healer she killed, trapping her and taking her relieve in time. In order to form amends, she must allow herself to be killed by herself and hope that, at some point, the the cycle of life and death stops. It was a decent record but, compared to what went before, it wasn’t grand and it didn’t have the length required to produce me care a gargantuan deal.
The next myth switched support to the four episode formula the series opened up with. This time around, unexcited somewhere in the past, a member of the royal family of some clan or another gets the face of wolf establish on him after having his have face scalped. He awakens sometime afterwards to behold what has become of his face and, eventually, heads east to another country in order to try to accumulate his frail face abet after being informed that his future will be brighter if he does so by an old-fashioned woman who can predict such things.
I liked the fourth account but never really got into it. The back-story of “Dogface” is never explained in detail, and I was left mystified with regards to what exactly lead up to him getting captured and losing his face. Likewise, I didn’t score how the wolves face became his hold, mouth movements and all. The only thing that came across certain as day was the message of the account, the message being that no religion is honest or wrong; only the people themselves are outrageous. Despite it lasting for as long as a movie, I felt the chronicle needed more time, or at the very least needed remarkable better explanations.
What really bothered me was the admire myth aspect of the fourth myth. One of the many ‘Gods’ of the nation in the east fell for Dogface at first ogle, never even having a conversation with him before deciding to follow him. She also risked her life for him without mighty chatter between the two. Their relationship never came across as a exact because not enough time was assign into it by the author and/or the animation studio. And the kill of the myth made puny sense, with her leaving Dogface randomly, Dogface randomly getting his face attend and the two seemingly ending up aid together, despite Dogface losing his memory for some reason.
Moving onto the final, two episode anecdote, the fable once again took site in the distant future, honest like the second fable did. In the future depicted in the last anecdote, humans had moved under the surface of the Earth in an attempt to survive after life could no longer be lived above ground. One scientist (Saruta), however, stayed above ground in an attempt to solve of the mystery of life in order to assign the earth. He tried and tried to accomplish life, always falling short. When he was on the verge of giving up, the Phoenix appeared before him and told him that a miracle would occur. It turned out that the miracle would be a young man who arrived at Saruta’s lab after escaping from the underground cities because his companion - an alien shapeshifter - wasn’t allowed to exist. He ended up getting shot and killed by someone who followed him. The miracle occurred when the Phoenix allowed him to drink her blood and made him immortal.
Following these events, every other life on Earth died, leaving the young man alone. It was then that he realized the accurate harm of loneliness, with nothing to do and no-one to talk to. For billions of years he lived alone in a wasteland, unable to die. He was eventually rewarded by being able to leer the rebirth of the world as it began anew and the cycle of life started over.
For me, the message of this final memoir wasn’t very positive. Why wasn’t the man simply allowed to die, instead being forced to suffer the hurt of loneliness? If I had been in his shoes, seeing the world restart wouldn’t have been enough to manufacture up for billions of years of boredom. The main message of Phoenix - that immortality is a curse - came across well in the last epic, but it aloof seemed a bit pointless compared to the earlier stories.
If you’re unruffled with me after reading the descriptions of all five stories and my thoughts, I’m obvious you’ll understand the exertion of reviewing this title. On one hand, it’s far more meaningful than most series out there and has none of the “moe” elements that plague anime based on a lot of the more original stories. The mangaka clearly had some indispensable messages about life he wanted to declare and did so as best he could. But, on the other hand, the series is all over the status because of the variation between each narrative, and I wouldn’t call any of the stories included polished. The stories were released in manga create a long time ago and, compared to the character development and the like in more modern anime, the age of some of of the stories shows. Depending on how you gawk at it, Phoenix is either very flawed or bright because it avoids the holes stories from our age plunge into time and time again.
In terms of the visuals, Phoenix is very nice to survey at. Someone on Amazon described the art/animation as being something he imagined Disney coming up with after “going on a bender”, but I don’t assume that’s an insult when we’re talking about an anime TV series. The character designs are rather cartoony, with characters having Spacious noses and the like, but it looks very nice. It’s different than most art nowadays, but not in a abominable map. The worst thing you can say about the art is that the character designs of the characters in the five stories are mostly very similar, the recurring character Saruta always having the same spacious nose and stumpy perceive. The animation was magnificent, too - whenever there was action, it flowed heavenly well. There were some nice fight sequences in the fourth anecdote.
I can’t really comment on the music because, honestly, I can only remember the orchestral opening. Since I’ve only honest finished watching the series (well, last night…), that doesn’t say a lot noble about the soundtrack. But, although I can’t remember any improbable tracks, I can’t say I remember any unpleasant music, so I teach the soundtrack was simply suitable without being astounding.
To sum it up, I’m satisfied I watched Phoenix, ignoring the fact it isn’t highly rated and isn’t a name known to many. It isn’t like any of the other anime I’ve watched, and that’s why I respect it. I’ve watched a ton of anime that have no messages; series that were made objective to build something on TV - Phoenix isn’t one of those series. And like an IGN reviewer is quoted as saying on the attend of the box plot, Phoenix has a quality that keeps viewers crooked, preventing them from leaving until the waste. In an age where I’m ancient to constantly checking my DVD timer to spy how noteworthy longer an episode has left to accelerate, Phoenix was a breath of modern air. It’s far from perfect, and it isn’t something I’m willing to earn too highly, but it’s definitely a series I’m proud to bear on DVD, and one I’d recommend to those tired of all the “moe” rubbish going around.
Phoenix: 8.5/10
One last thing (unbiased!) : I STRONGLY recommend you, the random reader who has somehow survived to this point, inspect into getting the box location. I imported the box space for a lowly sum of £13.99 from PlayUSA, and I’m positive Americans can gain it for even less. The box station is made up of a thin box and three book-like cases, which are basically hardback book covers with plastic stuck on to maintain the discs. For what is a budget residence, getting these unusual cases - which I haven’t seen obsolete before - is a major plus point. The case covers are even reflective, making the place appear even more expensive than it really is.
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